Anirvan and I spotted this mural on our way to Monina's housewarming on Sunday. The woman with a red bindi was what first caught my eye.

The mural is on a wall at the intersection of York and 24th in San Francisco. The mural by Berkeley artist Juana Alicia is called "La Llorona's Sacred Waters" (The Weeping Woman).

The theme of the mural is woman, water and globalization.An article at Chicanas.com talks more about the concept and symbology. The mural replaced a different one by the same artist called "Las Lechugueras" (Women Lettuce Workers) which lasted for 10 years. This photograph shows the same wall, different mural.

The part of the mural depicting the woman with the red bindi is a depiction of the "Narmada Bachao Andolan" -the struggles faced by the people of the Narmada Valley who are being displaced by Narmada dam.
The Mural was completed in June 2004.
Turns out the artist had her own struggles making the mural. The city wanted to keep all of her drawings leading up to the final piece among other things. It took one year of negotiations with the City Attorney's offices to get her a contract that protected her rights. In an interesting interview with the artist, she talks about these struggles and her inspirations and motivations as an artist and activist.
I am reading "The Jaguar's Smile", a non-fiction travelogue of Rushdie's visit to Nicaragua so her mention of a mural in Nicaragua struck a chord with me. The mural she mentions called "Dawn" was one of the few murals that wasn't greyed out by the right-wing Nicaraguan government. The teachers' union was still maintaining the mural at the time of this interview.

